Archive for June, 2011

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On graduating

June 30, 2011

So for the first time in years, I went to have a proper look at design graduate work (CSM & RCA) as this is the perfect opportunity to take a snapshot of design education before the scary rise in fees when most UK students might apply outside of the UK and schools start to panic.

What I saw was alright mostly, with some flashes of brilliant and brave work. My favorites were the ones that clearly owned their experience and turned it into opportunities for themselves. Students who took the attitude of “the best time to look for a job is when you have one” and created businesses or support opportunities within the framework of education.

Alexander Groves (Design Products) made some fantastic Hair Glasses but also and mostly created a project called Sea Chair where he proposes to turn a retired fishing trawler into a plastic chair factory, fishing the plastic from the polluted seas around the South West coast of the UK.

Mohammed Daud (Design Products) developed a solution to help urban farming less painful physically with a redesigned hoe design. He is also looking for funding to implement the idea at scale in Pakistan where he went to do user-research. This is ideal for Kickstarter.

I also looked at work which clearly made a huge step in making new techniques feel familiar with the language of design. Studio Koya‘s beautiful and delicate fashion and textile work doesn’t even seem futuristic because of our now common acceptance of Lady Gaga-generated dada fashion.

It’s hard in design at the moment, but these kids will make it.

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Technology is familiar because it fails

June 28, 2011

Brilliant. From Russell of course.

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Say what you mean and read the book

June 28, 2011

A few weeks ago, I went to a lunch organised by 10 Downing Street hosted by Mother. This was well attended by some important members of the arts, education and advertising industries and Kieran Kumaria one of the advisors to George Osbourne ran the session. He started by stating that Mr Osbourne was a great fan of Richard Florida.

Now, I was still a product design student in Canada when The Rise of the Creative Class was published but it was always on the wishlist. Right after the session I ran back to the office and ordered it online. I haven’t finished it yet, but was struck by a paragraph in the preface that sounded very familiar:

Meanwhile, the United States appears to have thrown its gearshift into reverse. At all levels of government and even in the private sector Americans have been cutting back crucial investment in creativity – in education, in research, in the arts and culture – while pouring billions in the low-return and no-return public projects like sports stadiums. In the zeal to ensure homeland security, the nation has placed tighter restrictions on immigration, foreign students and the flow of scientific information. If these trends continue, the U.S. may well squander its once-considerable lead. Consider this thought: The real threat to American security is not terrorism, it’s that creative and talented people may stop wanting to come here.

I suggest someone should get Mr Osbourne to actually read the book.

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Colours & movement

June 1, 2011

Timo shared these with a room full of people and I especially liked these.